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Belief in the Age of Coronavirus: Dread, Science and Mystery — liftthescreen

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We live in mystery. Nothing has brought this home so forcefully to me as the times we are experiencing now. Below is a blog post from my friend Philip Hefner, whom I met at conferences of IRAS, The Institute on Religion in an Age of Science. His post articulates for me the beauty and terror of being alive. He is one of my favorite theologians. Phil’s blog can be found at liftthescreen. Check out what he has written and pay him a visit! KJH

Belief in the Age of Coronavirus: Dread, Science and Mystery

There’s the existential angst that comes with self-quarantine and the awareness of why it’s necessary—we call it “plague dread.”  And then there are the various levels of explanation, the micro-meanings, you might say. And then there’s the mystery—the big meaning, macro-meaning.

Each of us will fill in the dread with the facts of our own life. I am approaching age ninety, with at least three of what the media call “underlying conditions”—more than enough empirical ground for me to dread the Coronavirus.

Almost hourly, we hear precise scientific descriptions of the virus. These descriptions are crucial, because they enable competent people—physicians, nurses, and researchers—to treat the disease and even prevent its spread.

The scientific theory of evolution helps me understand our situation. The Coronavirus is an example of an evolutionary process wrapped within larger evolutionary processes. The behavior of the virus follows Darwinian expectations. All of the processes that take place within our bodies—from the nano and molecular levels to the cells—follow the same evoIutionary pattern. 

These evolutionary processes within us are fundamentally ambiguous in that they bring us life and they also bring us death. Leonard Hummel and Gayle Woloschak describe this ambiguity in their fine 2017 book, Chance Necessity, Love: An Evolutionary Theology of Cancer (Cascade Books). 

This presents us with a dilemma—we are grateful for the life-giving work of our internal body processes, and we dread the deadly work of those processes. Like cancer, the presence of Coronavirus is fully “natural.” Nature within us is “naturally” ambiguous. Further, these micro-evolutionary processes take place within a much larger story of evolution with several chapters: the evolution of life, which began millions of years ago, within the larger 4 billion year-long story of planet Earth’s evolution, within the still larger story of cosmic evolution, 12 billion years in the telling.

Our response to COVID-19 is to resist the flow of evolution and redirect it. That’s what our practice of medicine is about, the attempt to redirect evolutionary processes in our favor. The long processes of evolutionary bend because of our efforts. This reminds me how infinitesimally small we are, and yet how amazingly gifted we are. Evolution has brought us life and also the skill to reorder evolution itself.

Nevertheless, despite our efforts, even when they are successful, the struggle with evolution takes its toll—and that means injury and death. In my case evolution in my mother’s womb caused me to be born with spina bifida, which, though moderate in severity, has radically impacted the last ten years of my life.

Even as I write, I am aware of the Mystery (note the capital “M”) that wraps around us. We—and these incomprehensible processes of evolution—float in a sea of Mystery. Why is it that our existence is woven on this vast and complex loom of evolution? Why has God chosen this particular way of bringing us into life and sustaining us?

Many thinkers down the millennia have pondered this “Why?”—and they have given us no satisfying final answers. We can probe Mystery, but we cannot resolve it like a puzzle. The Book of Job speaks to me at this point. When Job raised the question and demanded God’s response, the voice from the whirlwind spoke to him: Your mind is too small and weak to comprehend the height and depths of Mystery—you simply must accept it and trust it.

The Existentialist Albert Camus acknowledged the Mystery, and he believed it is indifferent to human hopes and longings; we cry out for answers for our lives, but in return we hear only silence—he called it ultimate absurdity—Absurdity with a capital “A.” His novel, The Plague is the story of life during a plague. The plague was indifferent to human existence, the epitome of Absurdity.

Others have called the Mystery Enemy, malevolent, intending to destroy us, if it can. 

Christian faith calls the Mystery Friend, Redeemer, Suffering God. Much like the message of Job—death at the hands of the Mystery is real; our attempts to understand it are futile; but the same Mystery is our Redeemer.  We can trust it.

After all, evolution is a process—faith believes the process is going somewhere, and that “somewhere” is in the life of God. The life of God is love, which is why in the midst of plague we find love, caring for others.

Medically, for most people our current plague will not have serious consequences. Psychologically and economically, it will damage most people, at least to some degree. A small percentage of people will die. All of us will be borne along the same evolutionary process into our future. And for all of us, that future will be God’s gift to us.

Think of the image of a train. Some of us will get off the train at this station, everyone will get off sooner or later, at different stops. Every station’s name will be the same, “God’s Destination—Love.”

(c) Phil Hefner 23 March 2020

Art: A Sanctuary Without Walls – Literally.

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I discovered this work of art on FaceBook. Though the intent of the artists was to highlight dwindling church attendance, I am entranced by the thought of meeting in a space so open to the elements.

Below is the article, with some of its photos.


A beautiful church is attracting thousands of visitors to a charming setting in Belgium as people are mesmerized by its structure. No matter where you stand, a new view and landscape can be seen.

Architects Introduce Public Art to Belgium

Belgian architect group, Gijs Van Vaerenbergh, constructed the church sculpture out of sheets of metal as part of a Contemporary Art project known as Z33. The popularity amongst visitors and locals is overwhelming for the two young architects who designed it –   Pieterjan Gijs and Arnout Van Vaerenbergh.

Visitors From Around The World

The church is located in a remote location near Borgloon in Belgium, but that hasn’t kept crowds away from coming to see the unique structure.

Layers Are Misleading

The church has an elusive appearance, because the sheets of steel from which it is constructed were placed methodically in lines and columns. Sometimes, it looks like parts of the church are even missing.

Religion Revealed Through Art

The architects say it was built as a representation of Belgium religion, which is dwindling in rural cultures.

Capturing The Emptiness Of Area Churches

Many small parish churches still stand in this area of Belgium, but because of declining attendance, some of the churches have become abandoned.

Peeking Through

With a staggered and stacked construction, the surrounding landscape is visible through the “walls” of the church. The architects wanted it to be both present and yet absent.

Looking From The Inside Out

Viewing the church from the inside out gives a completely new view and adds an amazing perspective to this structure.

Blessed by the Blazing Sun

Sunlight brings a dazzling display inside as can be seen in this view looking up towards the inside of the spire.

Many Variations On The View

Whether you are standing on the ground or have an aerial view, the church can take on a new look with each change in direction.

Popularity Continues To Grow

This eye-catching artistic concept of public art installations is moving across Belgium and many people come from around the world to see these unique structures. The two Belgian architects who designed this project, Pieterjan Gijs and Arnout Van Vaerenbergh, are eagerly working on similar projects that they hope will continue to amaze and delight sightseers.